Category Archives: Film Adaptations

I’m Not Scared by Niccolo Ammaniti

Synopsis from Amazon.com:

I’m Not Scared by Niccolo AmmanitiThe hottest summer of the twentieth century. A tiny community of five houses in the middle of rural Italy. When the adults are sheltering indoors, six children venture out on their bikes across the scorched, deserted countryside. While exploring a dilapidated and uninhabited farmhouse, nine-year-old Michele Amitrano discovers a secret so momentous, so terrible, that he dare not tell anyone about it. To come to terms with what he has found, Michele has to draw strength from his own sense of humanity. The reader witnesses a dual story: the one that is seen through Michele’s eyes, and the tragedy involving the adults of this isolated hamlet. In this unforgiving landscape, dominated by the contrast between dazzling sunlight and the blackness of night, Ammaniti skillfully blends comedy, the world of children and their language, the strength of friendship, and the drama of betrayal. The result is an immensely lyrical and deftly narrated novel, a compelling portrait of losing one’s innocence and a powerful reflection on the complexities and compromises inherent in growing up. I’m Not Scared is the winnter of the 2001 Viareggio-Repaci Prize for Fiction and has already been sold in twenty languages.

I’m Not Scared takes place in 1978 during a recordbreaking heatwave in Italy. Michele and his friends while away the hours outside, playing games and taunting each other; the village children are free to get into more mischief as the adults are unable to tolerate the heat and prefer to stay indoors. One day, in an attempt to navigate the cruel politics of childhood, Michele is dared to enter a ramshackle, dilapidated house; naturally, refusal is not an option. As his friends wait outside, Michele explores the house and finds a boy trapped in a hole. Michele does not tell his friends of his discovery and vows to keep his silence as well as stay away from the creepy house. His curiosity gets the better of him, however, and he returns to the boy, determined to figure out how and why the boy came to be in the hole. Unfortunately, the boy won’t tell Michele his name and appears to be under the impression that he is already dead. Despite the extreme heat and the difficulty of the journey (the house is located up in the hills, a monumental journey for a nine-year-old), Michele visits the boy repeatedly; he begins to feel a persistent foreboding that the adults in his life are trying to hide something. His suspicions are confirmed when he hears the adults – his parents, his friends’ parents, and a mysterious, old man from Rome – arguing one night; the source of the ruckus is a news segment on television, wherein a beautiful, wealthy woman pleads for her son, Filippo, to be returned safely by the men who had kidnapped him.

Not much else can be revealed about I’m Not Scared without completely detailing the plot. However, that may give the impression that the novel is more intricate than it is; though there are quite a few twists and turns, they progress exactly as expected, which is what makes this read disappointing.

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Once Were Warriors by Alan Duff

Synopsis from book flap, courtesy of Amazon.com:

Once Were Warriors by Alan DuffOnce Were Warriors is Alan Duff’s harrowing vision of his country’s indigenous people two hundred years after the English conquest. In prose that is both raw and compelling, it tells the story of Beth Heke, a Maori woman struggling to keep her family from falling apart, despite the squalor and violence of the housing projects in which they live. Conveying both the rich textures of Maori tradition and the wounds left by its absence, Once Were Warriors is a masterpiece of unblinking realism, irresistible energy, and great sorrow.

Reading this book was such a colossal chore, which is why I didn’t finish it. Don’t quote me but I believe F. Scott Fitzgerald once dismissed Jack Kerouac’s novels as an example of “typing, not writing.” I believe the same sentiment applies here.

Once Were Warriors focuses on the Hekes, a Maori family living (if it can be called that) in the slum of Pine Block; the Hekes’ home is directly adjacent to the palatial mansion of the pakeha (meaning white, and therefore much loathed, apparently) Tramberts. Way to kick a brother when he’s down, right? Beth and Jake are both too drunk and disillusioned to care much for their kids: Nig, who has joined the local gang; Boogie, who was sentenced to a juvenile correctional facility (his parents were unable to attend the sentencing as they were both too hungover and Jake had beaten beth to a pulp the night before); and Grace, who is the fragile, sensitive girl and, in keeping with Alan Duff’s cliched characterizations, is doomed by her situation.

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Filed under Debuts, Film Adaptations, Postcolonial Literature, Postmodern Literature